When we were filming Elevator, we became personally involved. And one would say, “Well, you got involved emotionally because, well, it’s natural when you work on a film.” Well, no, it’s not always natural, because I made several films and all the directors with whom I worked didn’t become my lover. There was something very exceptional, and when I say there was I go further, I say there is still something. Whatever happens, even if Louis is not there anymore, he’s still alive, because he opened doors for me as though I came out of a jail. Through him I discovered the freedom of cinema and exactly what cinema could mean: a modern way of communicating with the world. — Jeanne Moreau
Ascenseur pour l’échafaud (1958)
Histoires Extraordinaires: Metzengerstein | William Wilson | Toby Dammit